I’m not sure who the pooch is with Jane in this photo, but they’re both adorable!
Here’s a striking portrait of Jane from around the time of Gentlemen Marry Brunettes.
Before we get back into her films, here’s one more image of Jane looking fierce and fabulous in color.
Can there really be too many color photos of Jane posing in front of the sunken fireplace area of her Sherman Oaks home? I say no!
Here’s another fabulous color photo of Jane. This one was taken at the home in Sherman Oaks she helped design with architect Kemper Nomland Jr.
Here’s a lovely color pic of Jane at her Malibu home in the 1950s, where the family would escape the San Fernando Valley heat during the summer.
One of the problems with Gentlemen Marry Brunettes is that it deceptively sets the viewer up to watch a sequel to Gentlemen Prefer Blondes, but doesn’t deliver. The film “needed Marilyn,” Jane later mused. “No
doubt about it.”
Jane’s first foray into independent producing with Gentlemen Marry Brunettes was bumpy and probably contributed to her decision to sign a third and final contract with Howard Hughes.
Gentlemen Marry Brunettes is not the strongest title in Jane’s filmography, but it does have some high energy moments that are a lot of fun.
Despite its large budget, Gentlemen Marry Brunettes did not resonate with audiences. Jane later said, “I felt that a big expensive production was being hung on my shoulders, and they just weren’t broad enough.”