A lot of cash was sunk into Gentlemen Marry Brunettes, but the casting of Alan Young and Scott Brady as the romantic leads appeared to be a budget conscious decision. Young later joked, “Jane was the
big budget; I sure wasn’t!”
In Gentlemen Marry Brunettes, Jane got to play two generations of women. Here she is with Rudy Valle and Guy Middleton playing the mother of her main character at the end of the film.
Even though Anita Loos wrote a continuation of Gentlemen Prefer Blondes called Gentlemen Marry Brunettes, this film was not a sequel and did not draw off of the source material.
The location shoot on Gentlemen Marry Brunettes ran long and cut into the holidays, forcing Jane to be away from her family. It was a unhappy experience for her, but at least Travilla’s costumes were a lot of fun!
William Travilla was brought on to design the costumes for Gentlemen Marry Brunettes. For one number, he modified a costume originally designed for Marilyn Monroe to wear for “Diamonds Are a Girl’s Best Friend.”
Gentlemen Marry Brunettes ended up being a fairly expensive production, in part because it was shot in CinemaScope and in color, but also because it was filmed on location in Paris and Monte Carlo.
While Jane was making Foxfire, she and husband Robert Waterfield were also in pre-production on Gentlemen Marry Brunettes, which was the first project of their Russ-Field production company. Here is Jane and costar Jeanne Crain from the film’s opening scene.
Here’s the one sheet for Foxfire. This was my favorite film discovery while writing the JR biography and one I highly recommend!
Foxfire was the last American film made with the three-strip Technicolor process, “which is why I still looked great when I watched it on TV,” Jane joked later on.
Jane always got along great with her costars. Here she is palling around with Dan Duryea on the set of Foxfire.