Here’s Jane and Ralph Meeker having some fun in a Fuzzy Pink Nightgown publicity shot.
Fuzzy Pink Nightgown was not a hit at the box office, but Jane often cited it as her favorite film after Gentlemen Prefer Blondes.
Jane’s final film appearance of the 1950s, and the last film to be produced by her Russ-Field production company was The Fuzzy Pink Nightgown (1957). Here she is with co-stars Keenan Wynn and Ralph Meeker.
This stunning portrait of Jane was my first choice for the book cover, but I wasn’t able to get my hands on a high quality copy. I think it all worked out well in the end, though I still love this one.
Dipping back into the amazing stash of 8×10” original negatives with this shot of Jane from around the time of Underwater! (exclamation point not mine).
It’s Friday and I am tired, so here’s a fabulous photo of a lounging Jane to take us into the weekend.
While writing the JR book, I mainly purchased photo for potential inclusion. Occasionally, I’d grab a poster for a good price like this Mamie Stover 3-sheet, partially on display here at the book release event in June.
For The Revolt of Mamie Stover Jane got to work with William Travilla again who did not disappoint with the wardrobe. This gown was designed with a grass skirt in mind.
With Raoul Walsh as a director, Richard Egan as a costar, and the Hawaii location shoot, the filming of The Revolt of Mamie Stover was a positive experience for Jane.
Jane’s WAIF organization was always a priority, so when she was in Hawaii filming Mamie Stover, she went about setting up a Hawaiian chapter, which eventually came to pass.