Publishing Priority
Year of Jane Russell: Day 42

The Outlaw finished filming in 1941, but it took Howard Hughes years to release it. Jane was kept busy in front of still cameras, and magazine editors were more than happy to put her on the cover of their titles. Here’s Jane on the inaugural cover of SEE, a large format pictorial publication, released in July 1942.
Magazines Won’t Tussle
Year of Jane Russell: Day 41

“How would you like to tussle with Russell?” was a question most magazine publishers were too scared to asked their readers. Hearst ran the ad in the American Weekly newspapers supplement, but fearing backlash, others refused. Instead, they agreed to run this modified version which proclaimed “Exactly how it was filmed! Not a scene cut!”
Tussle with Russell
Year of Jane Russell: Day 40

Despite being premiered in San Francisco in 1943, The Outlaw wasn’t released until 1946 through United Artists. Even then, the release was limited. For the ‘46 campaign, the imagery of Jane reclining on hay with a gun received a refresh via noted pin-up artist and fellow San Fernando Valley resident Zoë Mozert. Jane posed for Mozert in person and the result was a stunning oil painting that was used for a full page magazine ad with the notorious tag line “How would you like to tussle with Russell?” The ad only ran in American Weekly, a supplement to Hearst newspapers as other publications deemed a tussle with Russell too scandalous.
Mozert’s original painting was massive and a piece Howard Hughes maintained in his personal collection. Last year, it came up for auction, and sold for $130,000!
The Outlaw Billboard is Born
Year of Jane Russell: Day 39
Nearly a year after they were taken, the Hurrell color photos of Jane were finally converted into billboards when The Outlaw premiered at San Francisco’s Geary Theatre in February 1943, and played for a limited run. A 24-sheet with one of the Hurrell photos was displayed outside the theater and 6-sheets (which occasionally pop up for auction) were displayed around the city, much to the chagrin of more the conservative minded residents of the city. The image of Jane was doctored to lower her top, and Jane was not happy with the final result. By the looks of this photo, any controversy surrounding The Outlaw only helped in drawing the crowds in.
Birth of a 24-Sheet
Year of Jane Russell: Day 38

Two of Hurrell’s sessions with Jane were documented in publications. The first time the pair worked together was covered in US Camera, was focused on Hurrell and his craft. The color haystack session was captured and published in the July 1942 issue of Screen Guide, an oversized publication who centered their coverage more on Jane.
Since the color haystack photos were going to be used for large format advertising, Russell Birwell’s office had pitched the Hurrell session to various magazines as the “Birth of a 24-sheet.” Screen Guide didn’t completely embrace this concept, but does mention it and included a mock-up of the envisioned billboard.
Jane, Hurrell, Esquire, and the Pioneer Safety Device Corp.
Year of Jane Russell: Day 37
The Hurrell haystack photos of Jane were alluring enough that one of them was used as a foldout in the June 1942 issue of Esquire. The staying power of these images was evident early on with the reuse of the Esquire exposure on this handout the following year for the Pioneer Safety Device Corp. Their use of the term “hay” to advertise their services is a stretch, but if nothing else, Jane certainly makes it eye catching! Of note is the credit to both Esquire and 20th Century-Fox who initially were going to distribute The Outlaw, but dropped out as the release of the film dragged out and the censorship issues intensified.
For being almost eighty years old, this handout, printed on a thick card stock has held up quite well. While the Pioneer Safety Device Corp seems to be long gone, the fetching Transportation Building located at 7th and Los Angeles streets in downtown L.A. is still alive and well!
A Little More Color
Year of Jane Russell: Day 36

The color images of a gun-wielding Jane posed on hay, taken by George Hurrell, proved popular and kept her on the cover of magazines for months, as demonstrated with this November 1942 issue of See magazine.
Jane in Glorious Kodachrome
Year of Jane Russell: Day 35

George Hurrell did a third sitting with Jane, this time in color. The images, which the publicity team referred to as “the Kodachrome photos” were expected to be used in the large scale billboards for The Outlaw. Some were also sent out to magazines who were more than happy to use them. Here’s the June 1942 issue of SPOT with one of the color Hurrells of Jane on the cover.
Light, Not Shadow
Year of Jane Russell: Day 34

For the haystack session, Hurrell abandoned his trademark use of light with shadow. Still, many of the photos with Jane glaring at the camera maintained the drama usually found in the photographer’s work. During the shoot, he also allowed the 20-year-old Valley Girl behind the movie make-up to reveal herself, like in this portrait.
In the Hay
Year of Jane Russell: Day 33

The second time George Hurrell photographed Jane Russell, he really embraced the theme of The Outlaw. Inspired by Jane’s first scene where she wrestles in hay with Jack Buetel, Hurrell had Jane dress up as her character Rio. He also ordered bales of hay brought into his studio which he had Jane pose on. The resulting images would become the most well known of Jane’s career.